From the exhibition
Bringing Up Father — buf390609
· c. 1939 (copyright date visible in strip)

Four panels follow a domestic squabble over naming a new baby: the wife favors Ambrose or Reginald, a female guest pushes Pierre, while the harried husband is literally knocked flat. The final panel breaks the fourth wall entirely — the character addresses readers directly, inviting them to submit a name by mail for a prize drawing by the cartoonist. That reader-participation gag typifies George McManus's easy rapport with his audience across *Bringing Up Father*'s long run (1913–2000). McManus refined the newspaper daily strip's visual grammar — rhythmic panel pacing, expressive balloon lettering, recurring working-class-husband-vs-social-climbing-wife comedy — helping establish the conventions that early comic book publishers would repackage wholesale starting in 1933.
Public domain, restored and presented by comicbooks.com public-domain