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From the exhibition

Buster Brown

· Richard F. Outcault, New York Herald, c. 1902–1921

Buster Brown
Seven panels follow the incorrigible Buster, his dog Tige, and a long-suffering cook through an escalating apple-theft caper that ends with a vat of baker's dough exploding over everyone. Outcault draws in confident pen-and-ink crosshatch, packing each panel with physical comedy and overlapping speech balloons—a visual syntax he helped standardize after his earlier *Yellow Kid* strips. The Sunday page closes, as always, with Buster's formal 'Resolved' moral, delivered straight-faced after maximum chaos. Outcault's recurring cast, page-wide compositional planning, and balloon-driven dialogue were foundational moves: the Sunday newspaper page was the direct ancestor of the comic book format, and *Buster Brown* was among its most widely syndicated examples.

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