From the exhibition
The Career of Cholly Cashcaller
· January 8, 1905

A six-panel Sunday strip following Cholly Cashcaller's scheme to demonstrate a transforming patent chair to potential buyers. The strip's humor turns on the chair's mechanical failure—it traps and repositions its occupant in increasingly awkward postures, frustrating the con artist's sales pitch. The artwork employs silhouettes and bold black lines characteristic of early newspaper comics, with sequential panels that advance narrative through action and dialogue balloons. Such strips populated the Sunday supplements of major dailies, establishing the visual conventions—recurring characters, sight gags, panel progression—that would become foundational to comic books. The format proved enormously popular, driving circulation and spawning collections that defined the emerging medium.
Public domain, restored and presented by comicbooks.com public-domain