From the exhibition
The Goat and the Burglars
· September 3, 1905

This Sunday strip exemplifies early newspaper comics' visual storytelling. A goat outwits two burglars through slapstick action across six panels, using speech balloons and sequential frames to build narrative momentum. The artist employs heavy blacks and cross-hatching typical of the period's letterpress reproduction. Recurring animal characters and domestic settings were staples of turn-of-the-century newspaper funnies, which established the medium's foundational grammar: panel progression, word-image integration, and visual gags. These Sunday pages preceded the comic book by decades, training readers in the visual syntax that would define the form.
Public domain, restored and presented by comicbooks.com public-domain