From the exhibition
Just Boy
· 1923

This Sunday page follows young Elmer through a series of escalating domestic mishaps—each panel a self-contained gag building toward chaos. The strip employs the visual vocabulary that newspaper comics had standardized by the 1920s: sequential panels arranged in grid form, speech balloons carrying dialogue, and recurring characters in a domestic setting. The humor derives from physical comedy and the gap between Elmer's innocent intentions and their disastrous outcomes. By the early twentieth century, newspaper Sunday pages like this became laboratories for comic narrative technique—artists refined panel transitions, timing, and the interplay of image and text that would directly influence the comic books emerging in the 1930s.
Public domain, restored and presented by comicbooks.com public-domain