Buddy and His Friends

Robert L. Dickey's *Buddy and His Friends* strips animal characters through a hunter's plot: dogs overhear talk of a woodchuck hole and set an ambush for midnight. The three-panel sequence demonstrates the newspaper comic's visual economy—recurring characters, dialogue balloons, and sequential action flowing left to right. By the 1920s, daily strips had become the primary laboratory for comic narrative, establishing conventions that would define comic books. Dickey's crisp crosshatching and clear panel borders exemplify the commercial illustration style that shaped early sequential art.