From the exhibition
Keeping Up with the Joneses
· August 3, 1913

This Sunday strip follows the social competition between neighboring families through five sequential panels, each advancing a gag about competitive consumption and status anxiety. The artist uses consistent character design, interior and exterior settings, and overlapping dialogue to create narrative continuity—techniques fundamental to comic strip language. Recurring characters and ongoing situations became the backbone of newspaper comics in this era, distinguishing them from single-panel cartoons. The strip's format, with its reliance on visual storytelling across discrete panels connected by plot, helped establish the visual grammar that would define comic books: panel borders, speech balloons, character consistency, and sequential action. By the 1910s, such daily and Sunday strips had become essential to newspaper economics and popular culture, directly preceding the emergence of comic books as a distinct medium.
Public domain, restored and presented by comicbooks.com public-domain