From the exhibition
Laughterville
· May 24, 1925

A Sunday newspaper comic strip built on visual gags and domestic humor. The strip employs the full vocabulary of early comics: multiple panels with clear narrative sequence, speech balloons and captions, exaggerated character expressions, and ink line work that defines both form and gesture. *Laughterville* belongs to the era when Sunday comics sections—with their generous space and color capability—became the primary laboratory for developing sequential art. By the 1920s, newspaper strips had established the visual grammar that would carry into comic books: recurring characters, standardized panel layouts, and the interplay of word and image that made comics a distinct medium. This page shows how cartoonists of the period built comedy through accumulated visual detail and character interaction across multiple frames.
Public domain, restored and presented by comicbooks.com public-domain