Oh! Margy!

John Held, Jr.'s *Oh! Margy!* captures the visual language of 1920s newspaper comics: four-panel Sunday layout with speech balloons, expressive line work, and a recurring cast. The strip mines humor from generational slang and social commentary—here, debating whether young women merit the term "flappers" or "saplings," with a running gag about romantic terminology. Held's economical draftsmanship and deadpan delivery exemplify the comic strip's evolution from gag vehicles into character-driven humor. The newspaper Sunday page was the mass medium that established panel sequencing, word-image integration, and serialized characters—the foundational grammar that would define comic books.