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From the exhibition

Private Conscience

· September 30, 1913

Private Conscience
This Sunday strip follows a military officer caught between duty and personal conscience. When ordered to play poker with fellow soldiers, he struggles with the moral choice, ultimately attempting to leave the game. The five-panel sequence uses the visual grammar that newspaper comics had by 1913: distinct rectangular panels, speech balloons, and sequential action to build comic tension. The strip's vertical composition and reliance on body language and gesture to convey the protagonist's internal conflict exemplify how early cartoonists solved the problem of showing thought and emotion within the constraints of the comic format.

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