From the exhibition
Salesman Sam
· January 27, 1928

A Sunday page featuring Sam and his sidekick Guzz, characters who stumble through everyday mishaps with slapstick vigor. The strip's narrative flows across six panels, moving from Sam's mishearing of "Hamlet" to a chaotic scene where monetary symbols spiral around the characters—visual shorthand for financial chaos that became standard in newspaper comics. The artist uses overlapping panels, varied sizing, and speech balloons to guide readers through the gag. By the late 1920s, such strips dominated the Sunday funny pages, their recurring characters and visual storytelling directly preceding the comic book format that would emerge in the 1930s. Salesman Sam exemplified the daily-strip formula: relatable protagonist, physical comedy, and urban settings that appealed to working-class newspaper readers.
Public domain, restored and presented by comicbooks.com public-domain