From the exhibition
Salesman Sam
· February 23, 1928

This Sunday comic strip follows Sam, a traveling salesman whose schemes and misadventures drive the narrative across four panels. The strip demonstrates the visual conventions that became standard in newspaper comics: sequential panels with speech balloons, sight gags playing across frames, and a recurring protagonist in various predicaments. Sam's encounter with an alligator escalates from mild concern to slapstick chaos, with the final panel revealing the animal's escape. The strip's pen-and-ink style and layout typify the Sunday pages that dominated American newspapers in the 1920s, when comic strips served as major attractions driving daily readership. Artists working in this period established the visual language—panel borders, word balloons, exaggerated expressions—that would define the medium for decades.
Public domain, restored and presented by comicbooks.com public-domain