From the exhibition
Smitty — When in Rome
· 1920s–1930s

This strip follows Smitty, a mischievous boy whose antics drive adults to exasperation. The Sunday page deploys the visual vocabulary that defined newspaper comics: multiple panels advancing a linear narrative, speech balloons conveying dialogue and thought, and a recurring protagonist whose exploits generate humor through situation and reaction. The three-tier layout maximizes storytelling space while maintaining readability. Smitty's appeal lay in his unpredictability—here, his monkey-inspired behavior at home leads to a farewell scene and culminates in a bicycle chase. The strip's economy of line and clear panel sequencing made it accessible to millions of newspaper readers, establishing templates that would shape comic books and the medium itself.
Public domain, restored and presented by comicbooks.com public-domain