From the exhibition
Smitty—Looks Bad
· circa 1930s

This daily strip follows Smitty's misadventure: after spilling lunch on his boss, he devises a scheme involving his brother's slingshot to recover his job. The four-panel sequence uses clear panel borders, expressive body language, and speech balloons to advance a gag built on escalating consequences. The artwork employs bold inking and crosshatching typical of newspaper comic strips of the era. Strips like Smitty demonstrated how recurring characters and familiar workplace settings could anchor humor across multiple panels, establishing narrative structures that would define the emerging medium of comics.
Public domain, restored and presented by comicbooks.com public-domain