From the exhibition
The Top o' the Mornin'
· September 3, 1905

W. D. Nesbit's *The Top o' the Mornin'* exemplifies the newspaper Sunday comic page at its height. The strip employs sequential panels with speech balloons to develop narrative and visual gags, establishing the formal vocabulary that would define comics. Multiple self-contained episodes—"What She Needed," "A Narrow Escape," "Its Nature"—appear alongside illustrated text stories and an "Alphabet of Mottos" section. The dense page layout reflects how Sunday comics competed for reader attention amid advertisements and editorial content. Recurring characters and formulaic situations sustained reader interest across installments, a strategy that would carry forward into comic book anthologies. The bold linework and exaggerated proportions of Nesbit's figures typify the era's cartooning style, rooted in vaudeville and illustrated journalism.
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