From the exhibition
Mr. Jellyfish
· circa 1909–1911

This comic strip demonstrates the narrative conventions that newspaper cartoonists adapted from sequential art into the emerging comic-book form. The strip employs three panels connected by dialogue and visual continuity: a landlord confronts a tenant about unpaid rent, leading to a conversation about repairs. The artist uses speech balloons, expressive line work, and character types—the anxious tenant, impatient landlord—recognizable to readers of daily newspaper humor. The jellyfish character visible in the composition suggests thematic or punning wordplay typical of the period. By the 1900s–1910s, newspaper comics established the visual grammar—panel sequencing, balloon placement, recurring cast—that would define comic strips and eventually bound comic books as mass-market publications.
Public domain, restored and presented by comicbooks.com public-domain