From the exhibition
Happy Hooligan — St. Louis Republic, October 4, 1903
· Published October 4, 1903

Six panels follow the tin-can-hatted tramp Happy Hooligan as he escorts his three nephews to the circus, with brother Gloomy Gus and dog Flip in tow. A policeman, an elephant named Napoleon, and escalating slapstick chaos end, predictably, with Happy arrested. Frederick Burr Opper launched the strip in 1900 for Hearst's papers, drawing in his loose, rubbery line the recurring loser-hero whose good intentions guarantee catastrophe. By 1903 the Sunday color page was already a commercial and artistic institution: Richard Outcault's *Yellow Kid* (1895) had established the recurring character; Rudolph Dirks's *Katzenjammer Kids* (1897) locked in the multi-panel grid and speech balloon as standard grammar. Opper refined both, giving American comics their first fully formed comic timing in sequential images.
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