Portrait Study

This ink and wash drawing by French sculptor Antoine Injalbert captures a woman's head in three-quarter view with assured, economical line work. The artist employs tonal washes to model the form, creating volumetric presence through selective shading across the face and neck. A small architectural structure—possibly a classical ruin or fortification—is sketched at the shoulder, suggesting the artist's interest in layering figural and monumental elements. Injalbert's technique demonstrates the quick, observational study methods practiced by academic sculptors and painters of the Belle Époque, where such drawings served as formal preparation for larger works or independent compositions. The inscription and date confirm the work's documentary character as a dated study from the artist's mature period.