From the exhibition
Seated Nude
Alfred H. Maurer, born New York City 1868-died New York City 1932 · 1927

Alfred H. Maurer's ink and wash study captures a kneeling figure in profile, rendered with economical line and gestural shading. The artist emphasizes anatomical structure through selective hatching—particularly in the wings and musculature—while leaving much of the form spare and suggestive. Maurer's approach reflects early modernist drawing practice, where simplified contour and strategic tonal accents replace academic modeling. The work demonstrates the bridge between traditional figure study and avant-garde reduction that characterized early twentieth-century artistic practice.
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