'There Comes the Alabama' and Other Scenes — Thomas Nast Composite Plate

This multi-panel plate by Thomas Nast clusters six vignettes around Civil War–era American life. The largest oval, captioned 'There Comes the Alabama', shows Union sailors on a dock raising a telescope toward the Confederate raider — a vessel whose commerce-destroying voyages were then a raw public wound. A small inset circle labels a frock-coated figure 'Mr. Fogey', Nast's stock reactionary. The bottom oval, 'Give the Countersign', depicts a Black Union soldier challenging a figure in dark woods — rendered with the broad, simplified facial features common to mid-century illustrated press, a caricature style applied across races but carrying particular dehumanizing weight when directed at Black subjects. A street-poverty scene and a schoolroom crush round out the plate, signed *Th. Nast* in the center field. Together they argue Union vigilance, social disorder, and the contested presence of Black men as armed citizens.