Life's Ups-and-Downs — Puck's Improvement on Cole's 'Voyage of Life'

Joseph Keppler parodies Thomas Cole's romantic 1842 painting cycle by substituting penny-farthings for Cole's allegorical boat. On the sunny left road, a young man in top hat is towed by a winged angel past milestones reading Health, Happiness, and Pleasure. On the shadowed right road, a skeletal old man—coat tattered, a crow at his shoulder—pedals desperately toward milestone 90, where a scythe waits to unseat him into an open grave beside a hooting owl. Between the two arcs sits the Half Way House at milestone 50, crowded with middle-aged figures. A central floral vignette frames an hourglass atop a clock face. Keppler's joke is structural: Cole's pieties about divine providence collapse into pure mechanics—you ride in, you get thrown off.