'Steady-going' — Matthew Ingle Joyce, M.R.

Ward's chromolithograph shows Justice Matthew Ingle Joyce — a Chancery judge appointed 1900 — seated at his bench in profile, right hand pressing a finger onto an open volume as though mid-ruling. He wears the full regalia of the English bar: dark robes, white bands, and the short forensic wig that distinguishes a judge from a QC. The posture is deliberately unhurried, reinforcing the caption *'steady-going'* — Vanity Fair's characteristic one-phrase verdict on a man's public reputation. The caricature is mild; Ward softens Joyce's cheeks to a comfortable ruddiness and rounds the jaw without malice. No ethnic distortion is present. The red-draped bench skirt and warm woodwork anchor a composition that reads as respectful, even affectionate, toward a competent but unflashy legal career.