Steel Engraving After George Cruikshank: Scene from Ivanhoe

A robed woman—Rebecca, the Jewish healer of Scott's *Ivanhoe*—stands at the parapet edge of a castle tower, torch raised, threatening to leap into the precipice below rather than submit to her captor; a male figure sprawls behind her on the battlements. The caption reads in English and French: *"One foot nearer & I plunge myself from the precipice."* Goodyear's steel engraving renders Cruikshank's drama with fine cross-hatching and atmospheric cloudwork typical of book-plate illustration. George Cruikshank—student of Gillray's grotesque tradition—here works in the vein of literary illustration rather than political caricature, yet the lineage is direct: sequential narrative vignettes in Cruikshank's comic almanacs fed directly into the Victorian illustrated press, the ancestor of the modern comic strip.