Lequel Faut-il Donner? [Which One Should Be Given?]

This French etching mocks the Directory government through a domestic scene of chaos and indecision. A fashionable figure gestures helplessly toward a monument labeled *Le Miroir* while scattered documents, dogs, and overturned furniture surround him. The print deploys visual disorder—a hallmark of Gillray and Rowlandson's English satires—to ridicule political incompetence and moral corruption. As a hand-colored etching, it exemplifies the reproductive tradition of political prints that reached mass audiences in revolutionary Europe. The satire traffics in class mockery and caricature typical of the era, presenting the Directory's elite as effete and contemptible. Such prints formed a direct lineage to nineteenth-century pictorial satire and the sequential narrative strategies of early comics.