From the exhibition
Comoedia Vetus (The Old Comedy)
· 1612

This engraved title page depicts a satirical scene of early modern social life: wealthy figures feast indoors while below, half-naked children and adults perform crude antics by a boat, their bodies distorted for comic effect. The print exemplifies the Northern European tradition of moral satire through contrast and exaggeration—predecessors to later Hogarth engravings and 18th-century caricature. This woodcut-style engraving belongs to a rich tradition of illustrated social critique that established visual storytelling methods central to later comic and caricature art, where hierarchical scenes and physical distortion communicated moral and social commentary to literate and illiterate viewers alike.
Public domain, restored and presented by comicbooks.com http://creativecommons.org/publicdomain/mark/1.0/