From the exhibition
The Funeral of John Law
· 1720

This etching depicts the public humiliation of Scottish financier John Law following the catastrophic collapse of his Mississippi Company scheme. Crowds gather to mock his funeral procession while figures in the background represent the ruined investors left behind. The print employs the visual vocabulary of Netherlandish and German satirical broadsheets: exaggerated physiognomies, densely packed scenes of social chaos, and symbolic props (the portrait-banner, overturned vessels) that communicate moral disorder through physical comedy. Law's disgraced body becomes a vehicle for expressing public outrage at financial corruption and mismanagement. This tradition of political-economic satire—combining grotesque portraiture with narrative spectacle—established conventions that would flourish in Hogarth's sequences and eventually inform sequential art's capacity to chronicle social failure and popular judgment through caricature.
Public domain, restored and presented by comicbooks.com http://creativecommons.org/publicdomain/mark/1.0/