The Dancing Lesson, Pt. 2 — The Minuet

George Cruikshank's etching depicts a dancing-master — rendered with the exaggerated sharp features, storklike legs, and theatrical self-importance characteristic of class caricature — demonstrating the minuet to two pupils on a bare wooden floor. A rotund, ruff-collared student curtsies awkwardly at center; a smaller figure bows at left; a violin-playing figure occupies the background right. The title cartouche reads *The Dancing Lesson, Pt. 2 — The Minuet*. Cruikshank works squarely within the Gillray–Rowlandson tradition of English satirical printmaking: incised line, grotesque physiognomy, comic contrast between pretension and reality. That lineage — from Hogarth's narrative sequences through Rowlandson's social comedy to Cruikshank's own later work illustrating Dickens — is the direct ancestor of the sequential comic strip, making prints like this foundational documents in the prehistory of the comic book.