The Bottle, Plate IV: Unable to Obtain Employment, They Are Driven by Poverty into the Streets to Beg

George Cruikshank's eight-plate temperance series *The Bottle* (1847) was issued as a popular print sequence — executed here in glyphography, a relief process that mimicked etching and enabled cheap mass reproduction. Plate IV shows a shabbily dressed family soliciting charity outside a gin-shop; the father, still wearing a gentleman's top hat, approaches a prosperous stranger while the mother clutches an infant and ragged children trail behind. The caption moralizes without ambiguity. Cruikshank draws the poor with honest specificity rather than grotesque distortion, though the gin-shop doorway frames them as morally bounded. The series sits squarely in the Hogarth tradition — *Gin Lane* recast for Victorian teetotal tracts — and its sequential narrative panels are a direct ancestor of the comic strip form that would emerge within decades.