The Drunkard's Children, Plate VII

A gaunt young man lies dying on a prison cot, his body wasted by dissipation. A physician bends over him; a clergyman stands at the foot of the bed; a weeping figure crouches nearby. Barred windows and a warder at the door complete the institutional gloom. The caption reads: *Early dissipation has destroyed the neglected boy — the wretched convict lingers, and dies.* Cruikshank etches in the moralistic narrative mode he inherited from Hogarth's *Rake's Progress* — sequential plates building toward ruin — the same grammar of cause-and-consequence that would migrate directly into the comic strip. The figures are rendered with the expressive line distortion typical of British print satire: elongated, theatrically posed, readable at a glance. This is popular didactic printing as proto-sequential art.